If you’ve ever admired a hand-pulled fine art print in Colorado, chances are Mark Lunning was part of its making. Since founding Open Press in 1989, Mark has served as a cornerstone of Denver’s creative ecosystem—wearing dual hats as an accomplished artist and a master printer collaborating with regional talents. From navigating LoDo’s early days to co-founding Month of Printmaking (Mo’Print), Mark has spent decades building community, preserving traditional craftsmanship, and keeping the tactile magic of fine art printmaking alive in the Mile High City. We caught up with Mark to talk about what it takes to keep the art of printmaking alive in Denver.
You’ve been a cornerstone of Colorado’s art scene since launching Open Press in 1989. What inspired you to open a dedicated printmaking facility in Denver? “After graduating from UNC Greeley in 1984, I found myself back in Denver, missing the physical process of intaglio and etching (printmaking techniques). When I looked around town for a press space, there was simply nothing available. I asked my artist friends, ‘If I set up a place to do etching, monotype, and relief printing, would you use it?’ The answer was a resounding yes. I quit my day job, rented a spot on Market Street in LoDo with two borrowed presses, and Open Press was born. As artists came in, I quickly realized many needed a guiding hand. This led me to become a master printer over the next two decades.”
What does the collaborative process look like when an artist walks into your studio with an idea? “It’s completely tailored to the individual. Most artists arrive with a focused vision, but every intent is unique. Sometimes we hit the ground running; other times, we experiment with different mediums until we catch that spark. It can be a puzzle, but I love a good challenge.”
In an increasingly digital world, what keeps the tactile process of printmaking so vital? “The human hand! No computer program will ever replicate the true depth, texture, and soul of handmade printmaking. Digital art and photography are great, but they are their own mediums.”
You helped launch Denver’s Mo’Print. What has it been like watching the region transform into a printmaking hub? “Having taught at the Art Students League of Denver and worked with hundreds of local printmakers, I always knew the passion was here. Watching Mo’Print grow into a massive biennial celebration driven by hundreds of dedicated volunteers has been incredible. That energy belongs to the entire community.”
Looking back over more than 40 years in the Mile High City, what makes Colorado home for you? “I love this state and the mountains, but above all, the people. Denver has given me endless support and opportunities to pursue my creative passions. Seeing an artist pull their very first print and watching their face light up with wonder is what keeps me going.”
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